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Turkey Wakes to "Winter Sleep"

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 Mavi Boncuk |

 “Winter Sleep,” Nuri Bilge Ceylan’s sprawling, character-rich portrait of a self-absorbed Anatolian hotelier and his uneasy relationships with those around him, won the Palme d’Or at the 67th annual Cannes Film Festival on Saturday night. It’s only the second film by a Turkish director to win the festival’s highest honor, after Yilmaz Guney and Serif Goren’s “The Way” (1982).


In Memoriam | Maya Angelou 1928 - 2014

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Maya Angelou born Marguerite Ann Johnson; April 4, 1928 – May 28, 2014) was an American author and poet. She published seven autobiographies, three books of essays, and several books of poetry, and is credited with a list of plays, movies, and television shows spanning more than fifty years. 

Maya Angelou died at her home in Winston-Salem, North Carolina, on Wednesday, said her literary agent, Helen Brann. The 86-year-old was a novelist, actress, professor, singer, dancer and activist. In 2010, President Barack Obama awarded her the Medal of Freedom, the country's highest civilian honor. Maya Angelou: Poet, novelist and actress Maya Angelou: Poet, novelist and actress One of Angelou's most revered books was "I Know Why the Caged Bird Sings." 

 Mavi Boncuk |

Insomniac

There are some nights when
sleep plays coy,
aloof and disdainful.
And all the wiles
that I employ to win
its service to my side
are useless as wounded pride,
and much more painful.

Maya Angelou

Uykusuz

Ne zaman ki bazı geceler 
uyku naz eder
umursamaz ve kibirlidir.
Ve tüm kurdugum tuzaklar
kazanma yolunda
yardimima gelsin diye
yarali bir gurur gibi bosunadir,
ve cok daha can aciticidir.

Maya Angelou

Mavi Boncuk Translation May 28, 2014


Recommended | MegaIstanbul

May 28 | First Ottoman Feminists and Guler Sabanci

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May 28,2014 is the anniversary of Ottoman Feminism officially organized in 1908.

At the end of the Ottoman Empire in the 19th century educated women began organizing themselves as feminists within the elites of Istanbul. These feminists fought to increase women’s access to education and paid work, to abolish polygamy, and the peçe, an Islamic veil. Early feminists published woman magazines[1] in different languages and established different organizations dedicated to the advancement of women. Also during this time the first women association in Turkey Ottoman Welfare Organization of Women[2] was founded in 1908 and became partially involved in the Young Turks Movement which was a driving force in the founding of the Turkish Republic. During the turn of the century accomplished writers and politicians such as Fatma Aliye Topuz (1862-1936), Nezihe Muhiddin (1889-1958) and Halide Edip Adıvar (1884-1964) also joined the movement not only for advocating equality of Muslim women, but for women of all religions and ethnic backgrounds. 

Ottoman women had legal standing regardless of marital status, the like of which caused even non-Muslim Ottoman women to prefer Islamic courts to their own courts. 

[1] See  from Mavi Boncuk
[2] In the last decades of the empire, feminist societies emerged like Taal-i Nisvan

Mavi Boncuk |

The 2014 Most Powerful Women list features nine heads of state who run nations with a combined GDP of $11.1 trillion with 641 million citizens — including the No. 1 Power Woman, German Chancellor Angela Merkel.  The 28 corporate CEOs control $1.7 trillion in annual revenues, and 18 of the women here founded their own companies or foundations, including our youngest self-made billionaire, Sara Blakely, 43. Speaking of, this year’s class has 13 billionaires valued in excess of $81 billion.


#60
Guler Sabanci 
Chair-Managing director, Sabanci Holding 
Age: 59
Residence:Istanbul, 
Turkey
Citizenship: Turkey
Marital Status: Single
Education: Bachelor of Arts / Science, Bogazici University


A third generation member of Turkey's billionaire Sabanci family, Guler Sabanci is the first woman to run Sabanci Holdings. With $14 billion revenues it is Turkey's second-largest conglomerate. Begun as a textile company by her grandfather in the 1930s, the family holdings span several industries. Sabanci, began her career aged 23 in the clan's tire business. She was the first female member of the Turkish Industrialists'& Businessmen's Association, as well as the first and only female member of the European Round Table of Industrialists (ERT). She is the founding president of Sabanci University and chairs Turkey's largest private charity, the Sabanci Foundation. Already holding two honorary degrees and France's Légion d'Honneur, last year she was honored with the David Rockefeller Bridging Leadership Award for her philanthropic contributions. 

Book | The Gezi Park Protests: A Political, Sociological and Discursive Analysis

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Mavi Boncuk |

FULL TEXT: The Gezi Park Protests: A Political, Sociological and Discursive Analysis


This study aims to determine the political and sociological dynamics behind the Gezi protests and their possible political reverberations.

There have been many things written and discussed about the protests that started at the Gezi Park and shortly spread around the country with the high range of participants. Different segments of the society have made different interpretations about what these demonstrations “mean” exactly, who were the protestors, what kind of social, economic and political dynamics were behind these demonstrations, what was the aim of the protestors, and what possible social and political reverberations of the activities would be.

We are going through a period where the old political system with its actors and ideology becomes dysfunctional: it is substituted by a quest for a new political system as all actors in our social and political life are looking for ways to have an active role in the play. The function, nature, and priorities of politics are changing; political identities are transforming and political maps are being redrawn. Furthermore, this change is not limited only to Turkey. Our near region, where Turkey has had contacts with all along and where these contacts have recently transformed into an interaction, is also experiencing a historic and radical change. Governments change hands, regimes are overthrown and re-established.
The Gezi protests taking place in such an atmosphere undoubtedly correspond to a critical momentum of our political history. Motivation, aim and implications of the demonstrations will continue to have an impact on our political life for a long time; and interpretations about developments will be made by referring to these protests.


This study tries to make an in-depth analysis of one to one detailed interviews held with the protesters in the second weeks of the demonstrations in four cities (Istanbul, Ankara, Izmir and Eskisehir), a political assessment of the discourse adopted during and after the protests; analyzes change and sustainability of the discourse and policies of the political parties about the protests; and lastly sheds a light on current political implications and possible implications of the Gezi demonstrations.

MoMA Screens Rare Güney "The Wall"

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Sunday, June 8, 2014, 5:30 p.m., Theater 2, T2 
(Introduced by Erju Ackman, Turkish film scholar) 

Sunday, June 22, 2014, 2:30 p.m., Theater 1, T1

Mavi Boncuk |

Duvar (The Wall) 1983. France. Written and directed by Yilmaz Güney

A band of young boys fight to survive in a Turkish prison, itself a metaphor for Turkey under the rule of the oppressive military government that had come to power in a 1971 coup. The film was shot in France by Güney, a popular leading man who had become politicized and was himself imprisoned for much of the 1970s. 

In French; English subtitles. 117 min. 


How Criminal is German Turkish Youth?

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Mavi Boncuk |

How criminal is German youth? A study by the Universities of Münster and Bielefeld has examined the criminal behavior of boys and girls and has come to amazing results.

For the study of the Münster criminologist Klaus Boers and the Bielefeld sociologist Jost Reinecke surveyed 3,400 young people in Duisburg, as it was called. At the beginning in 2002, they were on average 13 years old. Until the age of 20 they were interviewed annually thereafter until the age of 24 every second year. The scientists then got an insight into the dark field of crime and criminal offenses that appear in any statistics. In addition, they evaluated from official data on convictions and method settings. The researchers believe that many results can be transferred to other cities.

According to the study commit about 84 percent of boys and 69 percent of girls up to 18 years at least once a mostly mild or moderate offenses such as shoplifting. For most, such episodes completed yet in adolescence. "Most regulates itself by itself - without the intervention of police or judiciary," Boers said. "By exploring and crossing of boundaries is learned, what is allowed and what is prohibited," said criminologist.

Another finding of the study: Turkish migrants are not more involved in violent offenses than German adolescents. “That surprised us," Boers admitted. Numerous studies, especially of the 90s had come to a different conclusion. Young people with foreign roots followed more traditional values. "Above all, their alcohol consumption is lower." The turn play a large role in acts of violence. By far the most inconspicuous.

SOURCE

Elgar | Conference “Elgar in Turkey” and "In Smyrna"

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Conference “Elgar in Turkey”
Conference and Recital

05 June 2014 / 18:30  

Pera Museum is pleased to present a special conference by music historian Emre Aracı accompanied with a recital by Cihat Aşkın, honoring British composer Sir Edward Elgar’s 80th commemoration of his death and centennial of his visit to Turkey.

“Glorious sunrise, & the minarets of Stamboul began to come thro the mist - wonderful wonderful” wrote Sir Edward Elgar in his diary on the day he arrived in Istanbul on board a steamship on 25 September 1905. A century later, browsing through the pages of his autograph diary, Emre Aracı traces the British composer’s little-known trip to Istanbul which was followed by Izmir. During his stay, in Tarabya Elgar also had the opportunity to perform at a private concert. A mini recital featuring Cihat Aşkın accompanies Emre Aracı’s illustrated lecture at Pera Museum as Elgar’s Turkish sojourn is brought back to life. This will also be the launch of Aracı’s new book “Elgar in Turkey” published by Pera Museum.

Cihat Aşkın violin
Aylin Ateş mezzo-soprano
Can Okan piano

The conference language is Turkish. Admissions free.

Emre Aracı

Emre Aracı has been living in Great Britain since 1987. He graduated from Edinburgh University’s Faculty of Music with BMus (Hons) and PhD degrees. He has published widely, based on his extensive research on the musical relations between Turkey and Europe, and has recorded CDs with Kalan, Warner, and Brilliant Classics. Inspired by WPR Cope’s ceremonial march composed for Yuduf Agah Efendi, Aracı composed The Turkish Ambassador’s Grand March in 1998 in Ambassador Özdem Sanberk’s honor.

 Mavi Boncuk |

|

1905In Smyrnakeyboardpiano, pub. "Queen's Christmas Carol Book"[1], repub. NovelloPublisher:Daily Mail,

Novello

Sir Edward William Elgar, 1st Baronet, OM, GCVO (2 June 1857 – 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King's Musick in 1924.


[1] THE QUEEN’S CHRISTMAS CAROL – Thomas Hardy, Edward Elgar, Bram Stoker (1905) 
Year Of Print: 1905 Publisher: Daily Mail Size: 11" x 8.5" 

An Anthology of Poems, Stories, Essays, Drawings and Music by British Authors, Artists and Composers, published by The Daily Mail of London, on behalf of Queen Alexandra's Fund For The Unemployed in 1905. Contributors include Alfred Austin (Poet Laureate), Sir Edward Elgar, W S Gilbert, Thomas Hardy, Robert Hichens, W Holman Hunt, George Meredith, Max Pemberton, Bram Stoker, A C Swinburne, The Bishop of London and many more. 120 pages




sourcean Elgar Timeline 

September 15, 1905
"Indecision about the Mediterranean cruise! "Frank started about 7.30. I saw him & sd. E. sd. he cd. not go. After E had showerbath. he sd. he should! Dear nice time over breakfast. Then E to Cathedral. After settling house A. went out & got things for E & a box & suit case had his initials painted on box & packed. May fetched things from Herefd. E. went 2.45 train A. in cab with him - E. much touched by all the week & success of works & love shown him. Suddenly all the house party appeared to see him off. E. & F started at 9 - Mrs. Gandy left after tea Canon Gorton at 10 P.M." Elgar kept a journal of his trip: "Left Worcester 2.45. Arrd. Paddn. - drove to Old Queen St. Bought cigarettes (Grécque), gum for labels, sent telegram to Alice. Dined at Pall Mall restaurant with Frank then to Charing Cross. P. & O. Indian Mail Boat. Hopeless confusion: left at 9. good crossing to Calais - then boarded the P & O Mail. I had a berth with a young Greek. bouillon & then to bed: did not attempt to undress. Slept fitfully."

September 16, 1905
"Canon Gorton writes again to Mrs Gorton: "Elgar started yesterday afternoon with Schuster [2] to join the Fleet - he is going on flagship for Constantinople & isles of Greece - Lady Elgar went with him to the station - I suggested that we should follow Mrs. Worthington Mrs. Gandy, Carice & Miss Grafton their niece ­ We just raced down the platform in time to see him & had great fun ­ I met coming back Muriel Foster, and had a long walk & talk with her - about Elgar & his future -"

September 17, 1905 
"Rose at 7.30. Tea. Glorious day. Found we were beyond Bologna. Travelled all day through varied country - olives; desert appallingly gloomy - stopped at many stations apparently without cause: arrd. at Brindisi at 8 instead of 6. Wild scramble for luggage - at last drove to the ship: found that no Austrian Lloyd ship sailed - so had to go in a small Italian steamer (Scilla, Palermo). Very small cabins. Started about midnight. Slept fairly" 


September 18, 1905 
"Woke about eight arrived at Corfu about 9. Lovely looking fortification - like in Böcklin picture, square stone buildings on hills with cypresses - went ashore in small boats - very wobbly - landed & drove to hotel S. Georges. Bath & dejeuner - too hot to walk about - remained ashore until 3.30. Sea rough & small boats more wobbly than before - sailed about five. Glorious evening - wonderful sea, sky & mountains. Then gorgeous sunset. Dined (14) on deck - a wonderful experience - to bed at 10." 

September 19, 1905 
Lady Maud Warrender was also on the trip: "Unfortunately the weather broke on our way to Patras. H.M.S. Surprise had a most uncomfortable way of behaving in a rough sea, quite unlike any other craft I have ever been in, a sort of corkscrew motion which, good sailor though I am, completely defeated me. Lady Charlie (Beresford) was the only one who did not succumb. She even managed to sit on a surging music stool and play "The Ride of the Valkyries," and the "Fire Music" at the height of the storm, when everyone else was prone, and utterly miserable. At Patras, where we were to leave the yacht, there was a big sea running in the harbour. Unless we caught the little steamer to Fiume which only tan once a week, it meant staying in a very bad hotel in a very dull place. Mrs. Craigie and myself hated the idea of this, so we made up our minds to make a dash in a small boat for the steamer, leaving "Frankie Schu" and Edward Elgar quivering on the quay, not daring to face the risk of getting alongside in a horrible sea. We just made it, but we went through a hideously uncomfortable and hot time in this fig cargo boat before reaching Fiume. There were so many figs on board that the sides of our cabins were a moving mass of white maggots, racing each other up the walls. That procession has made me doubtful about Smyrna figs ever since." 

September 20, 1905 
Wednesday, arose about 9. much better owing to Dr. Fraser's doses. Breakfast alone. Then on deck: glorious view Athens - Acropolis &c &c & the fleet (17) all around us. Admiral to lunch. Then ashore with party - Lady C. Frank & I drove to Acropolis - walked round (saw kitten) - then drove thro Athens tea at Hotel then to hotel on the shore. Massed bands of the fleet playing in Casino. Admiral's party sat aloft on Hotel balcony - huge crowd below - Minister there & Greek military & Naval representatives. The Minister (Sir Francis Elliott) came on board the Surprise to dinner, to bed at eleven." 

September 21, 1905 
Maud Warrender again: "Lady Charlie and Mrs. Craigie had a somewhat flamboyant taste in clothes and floating veils. Their appearance on the quay was such an astonishment to the Greeks that they would be surrounded by a mob, and Frankie Schuster, Bogie Harris and I found it less disconcerting to land at another time." 

September 22, 1905
"Fleet began to prepare to move about 6 - Sailed off one by one about 7. Seemed quite lonely. Last despatch for shore from Surprise announced about 9. At eleven anchor raised & we started, taking a long, long look, for the last time, at Athens & the Parthenon. Then began a lovely voyage: round Cape Colonna - thro Doro Channel to Lemnos, during the day we passed the fleet in singles and twos - much firing at targets &c. The most gorgeous sunset we have yet seen. Our party seemed small at dinner - 6 including Capt Bruen. To bed at eleven. Discovered to our horror that the port holes are always closed during the voyage. Frank & I cd. not face being below, so I lay in the saloon, did not sleep much on acct of noise. Frank had a slung bed on the poop." 

September 23, 1905
"Arrived off Lemnos about six o'c & went on deck: entered a landlocked bay. Maine already arrived, & a yacht at anchor. As soon as we had anchored portholes opened & to bed for an hour. Expect a telegram here. Telegram arrived. Deo gratias came from Kistro, eight miles on a donkey. Fleet arrived, very grand sight, solemn procession & grand noise anchoring. Admiral to lunch. in afternoon Frank & I ashore. All Turks - poor dried up little village, quite eastern: dogs about. We walked thro the village & out to open country. Heard a pretty shepherd boy playing on a pipe quite beautiful - gorgeous sunset back to ship with the Warrenders & changed into Surprise boat, which we met, en route. Admiral to dinner, very sleepy after the all night manoeuvres without lights Decisive news that the fleet nor Lady Charlie may not go near Constantinople on acct of tension. Frank decided that I must go - so to bed."

September 26, 1905
"No headache, up at 8.30 glorious weather: providence is kinder to Moslems than to Xtians! To S. Sofia - very large & grand but uninspiring & ugly. Women were admitted to a railed off portion today, it being some special feast. At the high Altar, or where it wd. be in a church, saw one woman in pure white, one in purple & a child in pink, beautiful effect of colour. The lavatories in the church: most striking. Then to the bazaar: where we had lunch, which was wretched - again through bazaar & then to drive round the old walls. Lady M. & Frank struck after a couple of miles, but Mrs. Craigie & I went on & Sir G. & Mr. Harris followed, wonderful gigantic. We ascended a tower & saw the so called prisons & the well, road outside the walls horribly bad. Cemeteries Greek, Armenian, & Turkish - entered Stamboul by one of the gates & drove thro' the Turkish quarter: all out in 100000 being a fest, minarets illuminated - many priests out fearing a row, & secret police, so the (Embassy) dragoman said. Dinner altogether & to bed early."

September 27, 1905
"In the night the most fearful noise by the dogs - a sound I never dreamt possible - like 40,000 dogs - they were just under the window - this terrible noise came on about 1.30. Rose about 8.30. At 10 drove to the Seraglio - special permit, received by an Attaché (?) somebody important anyway - the 'Minister of the Treasury’ was present - much undoing of doors, presenting arms, saluting us &c &c. Treasury very dull, then to Library & the two other kiosks overlooking the sea. In the last we were entertained: We all sat round the gorgeous room, many Turkish servants - one superior - first, one carried round a stand, with a raised centre, on which stood a glass jar of rose leaf jam. Tumblers of iced water surrounded it - you took a teaspoon & ate the jam, & drank the water - this left a beautiful, delicate taste of roses all down your throat & round your mouth. Next the servants brought in cigarettes & placed tables (very poor ones) with brass ash trays on them. Next a man in uniform: very gorgeous carried in a large round tray covered with a fine piece of embroidery another man followed with a sort of censer in which swung the coffee pot. The tray was uncovered & the coffee cups disclosed. We drank this - (it was brought round solemnly & poured out to each one) & the function was over. We rose & (with) much saluting & banging of muskets on the marble we retired. Walked thro' gardens & found the carriages - then to Bazaar, more 'engaging' than ever, bought a few things - pipe mouthpiece & an eikon. Then drove to the Club (near the Hotel) to lunch with Capt & Mrs. Bruen. Then grand squaring up of bills!"

September 28, 1905
"Rose at 8. Steamers continually calling. Lovely views - a straight line of view up to Black Sea. Walked into Embassy Gardens. Monument erected 1847, commemorating presentation of the land to B. Govt. by the Sultan. To lunch at the Embassy. All luggage in blue boat - we left in Ambassador's barge great confusion as to passports. All got off safely. Mauritius steamer 'Yangtse' - very large & roomy, but not clean. Last view of Stamboul - wonderful. To bed early & slept well."

September 29, 1905
"At sea, rose at 8, party all well & cheerful. The same views later - pink mountains, blue sea & sky, & little ships. Great heaps of salt (Govt. monopoly) all down the eastern coast - looked like ranges of huge white tents. Fair dejeuner at 10.30 - arrived at Smyrna about 2. No fleet arrived. As the Yangtse did not sail until next day we remained on board. Then came in the Carnarvon (Sir G. W's ship) & a boat came off. We all went over to the C. to tea - Sir G. & Lady M. & Mr Harris went ashore but Frank Mrs Craigie, & I remained on Carnarvon till 7. The Surprise came in & anchored & we went, with very thankful hearts to be home, on board & found Lady C. very radiant & welcoming. Gave Lady C. the onyx chibouk for stick handle. At last had some letters - eight had accumulated & I read them all at once." Alice, meanwhile: "Left Ridgehurst with Mrs. Speyer at 10.15? She took luggage to Paddington for A. A. to Stores & dentist. Then to lunch at Club, then to Liberty's then tea with Mrs. Worthington & then to Oxford. Mr. Townshend met her. Warm welcome."

September 30, 1905
"Good news of E. D.G. Went with Mr. T. & Miss Fleming to University Galleries, saw Turner sketches - lovely, & called on Mrs. Spooner (wife of William Spooner, or Spoonerism fame). At 3. somethg. left for home - found all well." Elgar: Rose early - glorious day. Frank. Lady M & I ashore went to the bazaar, much finer sight than Constantinople. Colour movement & camels - 100s - led by a donkey through the bazaar. Lady M. gave me a silver camel lamp in remembrance of my first eastern camel. Back to Surprise to lunch, Admiral came, rested through the heat & then all including Capt Bruen ashore: drove thro' the town right up to the fortifications - tomb of S. Polycarp - tremendous view, last part on foot to the watch tower. descended & made detour round the 'Camel bridge' Mrs Craigie & I drove together: wonderful gorges with remains of ancient aqueducts. we were in the last carriage harness broke - repaired with string & then wild gallop irrespective of rough road to catch the others, one horse fell - more broken harness - yells & excitement. Drove all thro' the narrow streets to quay. This was my first touch with Asia, & I was quite overcome. the endless camels made the scene more real than in Stamboul, the extraordinary colour & movement, light & shade were intoxicating."

October 1, 1905
"Rose late. Very, very hot & sirocco blowing - Peculiar feeling of intense heat & wind. Frank to Bulwark for service. Early lunch & then (at 2 o.c.) ashore & drove to the Mosque of dancing dervishes. Party -"

October 2, 1905
"Bad headache: Went for a short trip in the steam launch round the fleet. Beautiful views of a most beautiful place."

October 3, 1905
Maud Warrender[*] remembers: "Unfortunately the weather broke on our way to Patras. HMS Surprise had a most uncomfortable way of behaving in a rough sea, quite unlike any other craft I have ever been in, a sort of corkscrew motion which, good sailor though I am, completely defeated me. Lady Charlie was the only one who did not succumb. She even managed to sit on a surging music stool and play 'The Ride of the Valkyries' at the height of the storm, when everyone else was prone and utterly miserable."

October 4, 1905
"Frank & I really too ill to attempt to go on - but no steamer possible until Saturday."
October 5, 1905
"For my tea the waiter ran out into the street as the goats were coming in. One was caught & milked into my jug, on the tram lines."

October 6, 1905
"Bought a dagger from the man who made it."

October 7, 1905
Kreisler is quoted in the Hereford Times: "If you want to know whom I consider to be the greatest living composer, I say without hesitation, Elgar. I place him on an equal footing with my idols, Beethoven and Brahms. I wish Elgar would write something for the violin. He could do so, and it would be certainly something effective."

October 8, 1905
Elgar sends a post-card to his father: "On my way home: starting off here. Goodbye to Greece. Love Edward"

November 8, 1905
The toure over, Elgar goes to Birmingham for the Jubilee Celebrations of the Midland Institute. Hall Caine writes to Elgar: "I have the Queen’s authority to publish, on behalf of Her Majesty’s fund for the relief of the Unemployed, a beautiful book, to be called “The Queen’s Christmas Carol”, and having submitted your name to Her Majesty as a possible contributor to the volume, I am writing in great haste to ask if you can kindly send something (however brief it may be) for this purpose." Elgar agrees - the result is the piano piece "In Smyrna", remembering his Mediterranean cruise.

December 22, 1905

Mina Beresford, wife of Admiral Charles Beresford, writes to Elgar from Admiralty House, Malta: "... I am dying to see the new book (The Queen's Christmas Carol) which so far I’ve not got but I am hoping for it! Please write something for me in remembrance of the Greek Islands I shd cherish it much. The Bandmaster here is playing away all your nice things & it reminds us of you. We all cherish the hope that you will come out again soon –


[2] Frank Schuster (24 September 1852 – 26 December 1927), was a music-lover and patron of the arts in the United Kingdom. His home overlooking St James's Park[1] at 22 Old Queen Street, London, part of which now contains offices of The Spectator magazine, became a meeting-place for artists, writers and musicians, including Siegfried Sassoon, John Singer Sargent, Walter Sickert, Sir Edward Elgar and Sir Adrian Boult. He was a particular patron of Edward Elgar. 

 He was educated at Eton College and was homosexual as were many of his friends. Like Sassoon, Schuster was of Jewish descent. In 1924, knowing that Sassoon was suffering from depression, Schuster made him the gift of his first car. He also allowed Sassoon to stay at his popular country retreat, The Hut, opposite Monkey Island at Bray-on-Thames, but the two were never lovers. Schuster also had many heterosexual friends. 

He was a close friend and travelling companion of composer Edward Elgar, and helped foster Elgar's popularity in the years leading up toWorld War I. Elgar dedicated his concert-overture "In the South (Alassio)", completed in 1904, to Schuster. No longer rich when he died he ensured Elgar's old age would be provided for. Adrian Boult While still a schoolboy, met the composer Edward Elgar through Frank Schuster, a family friend at Schuster's house in 1905. 

[*]Lady Ethel Maud Warrender (nee Ashley-Cooper) (1870-1945), Daughter of 8th Earl of Shaftesbury; wife of Sir George John Scott Warrender, 7th Bt 

 [**] Charles William de la Poer Beresford, 1st Baron Beresford GCB GCVO (10 February 1846 – 6 September 1919), styled Lord Charles Beresford between 1859 and 1916, was a British admiral and Member of Parliament. Beresford was in command of the Mediterranean Fleet from 1905 until 1907. David Beatty, then a captain serving under Beresford, commented that Beresford's command of the fleet was characterised by 'rigid training and discouragement of initiative'. Beresford aspired to reach the navy's most senior post, First Sea Lord, but the position was held by Fisher, who was widely respected. 

Ottoman Modern Medical Education

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Mavi Boncuk |

Tıphane (March 14, 1827) Mahmud II era
Mekteb-i Tıbbiye-i Adliye-i Şahane Military Medical School (1839)
Mekteb-i Tıbbıye-i Mülkiye-i Şahane Civilian Medical School  (1867-1909)
Haydarpaşa Askeri Sağlık Mektebi| Military Health School (1876)
Şam Tıp Mektebi Damascus Medical School( 1903 )
Eczacı Mekteb-i Alisi | Pharmacology School/Ecole Superiure de Pharmacie (1909)

There were special preparatory high schools for the Medical/Pharmacy Schools.
Veterinary/Pharmacy High School was in Eyüp Rüştiyesi. 

1888: Turkish Pharmacy owners
Ali Kadri: Kumkapı no: 29
Arif Kalfa: Avrat pazarı no: 78

1890: Turkish Pharmacy owners
Eşref İbrahim: Kantarcılar no: 62
Hamdi, Ahmet: Zeyrek sokağı no: 1 , Unkapanı
Reşit Mehmet: Salma Tomruk
Sait Mustafa: Yeni mahalle no: 92, Hasköy

1885: population 873.565  1 pharmacy per 3300 in Istanbul

Pharmacies in other cities during the same year:
Adana: 5, Ankara: 2, Bursa: 7, Diyarbakır: 8, Edirne: 7, Erzurum: 4, İzmir: 40, konya: 2 ve Trabzon: 3

1900:  217 Pharmacies (10 Turkish Owners)

Ahmet Hamdi: vezneciler
Ali Haydar: bab-ı Ali caddesi no: 32
Ali Süreyya: Divan yolu no: 171
Beşir Kemal: Bahçekapı
Cemal Mehmet Kazım: Üsküdar İskele Cad.
Ethem Pertev: Aksaray no: 188
Hasan Rauf: Divanyolu
Mehmet Kazım: Beşiktaş İskele sokağı karşışı no: 90
Lütfi İbrahim: Pangaltı , Çayır cad.
Nüshet Ahmet: Divan yolu, no: 108


KONDA Gezi Report (Turkish)

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Mavi Boncuk |
KONDA Gezi Report (Turkish)  PDF



















CONTENTS | İÇİNDEKİLER 

1. SUNUŞ .... 3 

2. GEZİ PARKINDAKİLER ....  4 

2.1. Araştırma Nasıl Yapıldı?  .... 
2.2. Gezi Parkındakilerin Profilleri  ....  5 
2.3. Örgütlülük  ....  14 
2.4. Parka Gelme Nedenleri  ....  17 

3. KONDA TEMMUZ’13 BAROMETRESİ ....  20 

3.1. Haber Kaynağı ve Sosyal Medya Kullanımı  .... . 22 
3.2. Olayların Seyrinin Değişmesi  .... . 30 
3.3. Gezi Parkı Olaylarına Dair Görüş  .... . 35 
3.4. Gezi Parkı Olaylarında Aktörlere Bakış  ....  37 
3.5. Olaylarla İlgili İddialar  ....  52 
3.6. TV Kanalları ve Siyasi İddialara Bakış  .... . 62 
3.7. Eylemcileri tanımlama  ....  68 
3.8. ‘Dış mihraklar’ nedir?  ....  72 

4. DEĞERLENDİRMELER  ....  74 

4.1. İletişim Teknolojileri Kullanımı üzerine…  ....  74 
4.2. Gezi Parkı’ndan Öğreneceklerimiz  .... 78 

5. KONDA Temmuz’13 Barometresi Araştırma Künyesi  ....  84 

5.1. Araştırmanın Genel Tanımı ....  84 
5.2. Örneklem  .... . 84 



The Wall at MoMA

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 Mavi Boncuk |
(Introduced by Erju Ackman, Turkish film scholar)
The Wall at MoMA Film
1983. France. Written and directed by Yilmaz Güney. A band of young boys fight to survive in a Turkish prison, itself a metaphor for Turkey under the rule of the oppressive military government that had come to power in a 1971 coup. The film was shot in France by Güney, a popular leading man who had become politicized and was himself imprisoned for much of the 1970s. In French; English subtitles. 117 min.

 *Sunday, June 8, 2014, 5:30 p.m., Theater 2, T2

The Wall Introduction by Erju Ackman part 1

The Wall  QandA by Erju Ackman part 2

The Wall QandA by Erju Ackman part 3

IŞİD by any other name

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The Islamic State of Iraq and Syria (ISIS) effectively governs a nation-size tract of territory that stretches from the eastern edge of the Syrian city of Aleppo to Fallujah in western Iraq – and now also includes the northern Iraqi city of Mosul.

As many as 500,000 people fled Mosul after the militants attacked the city. 

The head of the Turkish mission in Mosul and almost 50 consulate staff are being held by the militants, Turkish officials say. Turkey's foreign minister warned there would be "harsh retaliation" if any of its citizens were harmed. 

 The fall of Mosul to the extremists on Tuesday, after the apparent collapse of Iraqi security forces there, offers only the latest example of the extraordinary resurgence of the militant organization in the past 2½ years, aided to a large extent by the vacuum of authority in neighboring Syria.

Mavi Boncuk |

In Arabic:
 الدولة الاسلامية في العراق والشام Ad-Davla Al-Islāmiyya fi al-'Irāq wa-sh-Shām

In Turkish: 
IŞİD: Irak ve Şam İslam Devleti

In English:
Isis: Islamic State of Iraq in Syria also known as Islamic State of Iraq and the Levant(Isil) 

In French
l'EIIL: l'Etat islamique en Irak et au Levant

In German:
Islamischer Staat im Irak und (Groß-)Syrien (Isis)

Centenary of Turkish Cinema Catalogue

Lincoln Film 2014 | A Panorama of Cinema in Turkey

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PDF of Program Booklet

Mavi Boncuk |The Space Between: A Panorama of Cinema in Turkey was the largest retrospective of films from Turkey to be presented in the United States with  more than 25 films presenting award winning Turkish films from the 1950s to the present.

Program Director of the Film Society of Lincoln Center, Richard Peña said, “Turkey has an extraordinarily rich cinematic tradition that, despite the growing importance of that country on the world stage, has remained largely unknown to even the most dedicated American film goers. This 29-film series focuses especially on the many socially-engaged works--works often made under difficult and even dangerous conditions--that offered a counterpoint to Turkey's prolific commercial cinema.” 
Films were chosen for the rare retrospective show how Turkish cinema, like the country, embraces both the East and the West. The filmmakers are influenced by American and European traditions while incorporating ideas from Egyptian – and more recently - Iranian cinema. Yeşilçam (“Green pine”) is a metonym for the Turkish film industry, similar to Hollywood. The name is derived from Yeşilçam Street in Istanbul where many actors, directors, and crew members were based.  

As in Italy and Japan, the existence of a thriving popular cinema inspired filmmakers to create more personal works. Several of the filmmakers moved back and forth between Yeşilçam and more personal projects. Yeşilçam’s heyday was from the 1950s – 1970s.



Article | Clothing Laws, State, and Society in the Ottoman Empire

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Mavi Boncuk | 
 Clothing Laws, State, and Society in the Ottoman Empire, 1720-1829 Donald Quataert [1]
International Journal of Middle East Studies Vol. 29, No. 3 (Aug., 1997), pp. 403-425  PDF of Article


[1] Donald Quataert (September 10, 1941 – February 10, 2011) was a Middle East/Ottoman historian at Binghamton University. He taught courses on the Middle East/Ottoman history, with an interest in labor, social and economics, during the early and modern periods. He also provided training in the reading of Ottoman archival sources.

In 2006, Quataert resigned as board chairman of the Institute of Turkish Studies following his statement that scholars should not avoid researching the Armenian Genocide. 

His resignation was influenced by the Turkish ambassador to the United States, Nabi Sensoy, who had told Quataert that his statement had angered government leaders in Turkey and endangered the Institute's funding.

Book | Tabanlioglu Architects: Transparency and Modernity

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Tabanlıoğlu Architects (Turkish: Tabanlıoğlu Mimarlık) is an architectural firm based in Istanbul. The practice is led by Murat Tabanlıoğlu, Melkan Tabanlıoğlu and Özdem Gürsel. Established by Hayati Tabanlıoğlu in 1956, Tabanlioglu Architects renders services of projects and counseling in architecture, urban planning, and interior design. 


Mavi Boncuk |

Tabanlioglu Architects: Transparency and Modernity
Written by Philip Jodidio[1] and Suha Ozkan[2], Contribution by Luis Fernandez-Galiano

Pub Date: September 23, 2014
Format: Trade Paperback
Category: Architecture - Individual Architects & Firms - Monographs
Publisher: Skira Rizzoli
Trim Size: 8-1/8 x 11-3/16

US Price: $85.00
CAN Price: $85.00

ISBN: 978-0-8478-4376-3

[1] Philip Jodidio who was born in New Jersey in 1954, studied art history and economics at Harvard. He has been editor-in-chief of the French art magazine Connaissance des Arts in Paris since 1980 a nd is a member of many scientific committees and juries. Among the numerous studies and books he has published on contemporary architecture are the Taschen series on contemporary American, European and Japanese architects as well as monographs on Norman Foster, Tadao Ando, Richard Meier and Santiago Calatrava, among others. A Knight in the French Order of Arts and Letters, Jodidio has also won the Prix de Briey for his publications.  

[2] Suha Ozkan is an architect by training and has undertaken extensive research on the theory and history of architecture, design, vernacular form and emergency housing, and has published numerous articles and monographs in a number of languages. He taught architectural design and design theory at the Middle East Technical University (METU) in Ankara, where he became Associate Dean of the Faculty of Architecture, and was later appointed Vice President of the university. In 1983, following his tenure at METU, Dr. Ozkan became Deputy Secretary General of the Aga Khan Award for Architecture, and served as its Deputy and Secretary General from 1982 to 2006. He has organised international competitions for cities including Istanbul, Doha, and Samarkand. He also has been associated with a number of prizes such as the Cityscape (Dubai), Hassan Fathy (Alexandria), European Union (Barcelona), and Architecture Festival (London) prizes. He was the president of the International Union of Architects Congress between 2001 and 2005, and is an Honorary Fellow of American Institute of Architects (2004).

Recommended | Fluent in 3 Months

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Who is Benny Lewis? My name is Benny (Brendan) Lewis. I was born in 1982, I’m a vegetarian from Cavan Ireland, I don’t drink, am not religious but am constantly full of wonder at all this incredible world has to offer through its many wonderful people. I’m also an entrepreneur and like to think of myself a “technomad” – a full-time technology-enabled globe-trotter.

Mavi Boncuk | Recommended Site

Sample Page  Why Turkish isn’t as hard as you think!

Welcome to fluentin3months.com, a site packed with encouragement and “hacks” about speaking languages as quickly as possible, as I travel to learn and speak languages myself. After over eleven years on the road (ten of which was non-stop, teaching me a lot about life), I have picked up quite a lot of short-cuts, unconventional learning techniques, and a pretty good mentality that has hugely helped me to learn these languages, and earn the title of “polyglot”. 

This site is for sharing these tips so that others may also live their dreams of being able to speak other languages!

Word Origin | Tezene , Mızrap, Bozlak

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Mavi Boncuk |

Tezene:

TR Telli çalgıları çalmaya yarayan, kemik, maden, plastik veya özellikle kiraz ağacından yapılan alet, çalgıç.
EN Quill. Pick, Plectrum[1].


Mızrap:
mızrab [ Meninski, Thesaurus, 1680]

from Arabic miḍrab مضرب  [#ḍrb mifˁal ia.] darbe aracı, telli çalgıları çalmakta kullanılan alet  

Arabic ḍaraba ضرب vurdu, çaldı TR. hit EN


Bozlak:
old Turkish: bozla- bağırmak, böğürmek +Ik bozlamak "ses vermek, bağırmak, böğürmek" [  Divan-i Lugat-it Türk,  1070]

old Turkish: bozlak/bozlağı "bir tür türkü, uzun hava" [  Hamit Zübeyr & İshak Refet, Anadilden Derlemeler,  1932]

[1] A plectrum is a small flat tool used to pluck or strum a stringed instrument. For hand-held instruments such as guitars and mandolins, the plectrum is often called a pick, and is a separate tool held in the player's hand. Risha for Oud.

First attested in English 15th century, the word "plectrum" comes from Latin plectrum, itself derived from Greek πλῆκτρον (plēktron), "anything to strike with, an instrument for striking the lyre, a spear point". "Plectrum" has both a Latin-based plural, plectra and a native English plural, plectrums. 

Word Origin | yastik, somye, şilte, yatak, döşek , karyola, minder, sedir

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Mavi Boncuk |
yastık: yastık
ETü: yastuk "bir tür sikke, yassılaştırılmış şey" [ Uygurca metinler, <1100 font="">1100>
ETü: yastuk "yastık" [ Divan-i Lugat-it Türk, 1070]
<< ETü yastuk < ETü yasta- yassıltmak +Ik< ETü yas- yaymak, açmak +It-
→ yassı

somye: somye [ Cumhuriyet - gazete, 1931]
Karyolaya atladı mı somye gıcırdar
~ Fr sommier yatak taşıyıcısı, somye << OLat sagmarius yük hayvanı, beygir < EYun ságma σάγμα yük hayvanlarına mahsus semer → semer

şilte: şilte "yün veya pamuklu döşek" [ Bianchi, Dictionnaire Turc-Français, 1851]
~ Fa çilte چلته katmerli kumaştan yapılan bir tür askeri giysi, zırh § Fa çihil چهل kırk + Fa te ته kat

şilte: şilte "yün veya pamuklu döşek" [ Bianchi, Dictionnaire Turc-Français, 1851]
~ Fa çilte چلته katmerli kumaştan yapılan bir tür askeri giysi, zırh § Fa çihil چهل kırk + Fa te ته kat


yatak: TTü: yatak "yatılan yer, barınak, in" [ Dede Korkut Kitabı, <1400 font="">1400>
Begler bindiler, aslan yatağı üzerine geldiler, aslanı kaldurup oğlanı tutdular.
Tü yat- +Ak
→ yat- Similar words: yatakhane TR, dormitory EN

döşek: döşe|mek
ETü: töşemek "yatak yaymak" [ Uygurca metinler, 
ETü: töşek "yatak, yaygı" [ Uygurca metinler, 
TTü: döşeme "zemin kaplaması" [ Cafer Efendi, Risale-i Mi'mâriyye, 1614]
Belāṭ arabîdir, türkîde evin taş döşemesi demektir.
ETü töşe- ETü töş 1. göğüs, 2. sedir, yatak +A-
→ döş
Benzer sözcükler: dayalı döşeli, döşek, döşeli, döşeme, döşemelik, döşenmek, döşetmek

karyola: karyola [ Namık Kemal, Osmanlı Modernleşmesinin Meseleleri, 1872] ~ from Venetian cariòla 1. arabacık, el arabası, 2. portatif yatak [IT carriolo] from Ven caro/carro araba → kargo TR; cargo EN

minder:"döşek, oturma şiltesi" [ Meninski, Thesaurus, 1680] < ?

sedir: from Arabic  ṣadr صدر [#ṣdr faˁl msd.] 1. göğüs, 2. bir şeyin ön veya ileri kısmı, baş köşe, misafir oturtulan yer
 somye [ Cumhuriyet - gazete, 1931]
Karyolaya atladı mı somye gıcırdar
~ Fr sommier yatak taşıyıcısı, somye << OLat sagmarius yük hayvanı, beygir < EYun ságma σάγμα yük hayvanlarına mahsus semer → semer



Mazurka

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Mavi Boncuk | The mazurka[1] (in Polish, mazurek) is a Polish folk dance in triple meter, usually at a lively tempo, and with accent on the second or third beat. 


The folk origins of the mazurek are two other Polish musical forms—the slow kujawiak, and the fast oberek. The mazurek is always found to have either a triplet, trill, dotted eighth note (quaver) pair, or an ordinary eighth note pair before two quarter notes (crotchets). In the 19th century, the dance became popular in many ballrooms in different parts of Europe. The Polish national anthem has a mazurek rhythm but is too slow to be considered a mazurek. There are many Polish versions of the mazurek but the most notable one is the mazurka.
In Polish, this musical form is called "mazurek"—a word derived from "mazur," which up to the nineteenth century denoted an inhabitant of Poland's Mazovia region

The mazurka is an important dance in many Russian novels. In addition to its mention in Leo Tolstoy's Anna Karenina as well as in a protracted episode in War and Peace, the dance is prominently featured in Ivan Turgenev's novel Fathers and Sons. Arkady reserves the mazurka for Madame Odintsov with whom he is falling in love.

[1] Mazurka mazurka TR [ Mehmet Bahaettin, Yeni Türkçe Lugat, 1924] FR mazurka 
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