Mavi Boncuk | In the late nineteenth century the city of Kavala, a town by the sea in northern Greece,was developed to one of the most important tobacco processing centers in the Balkan area. Powerful tobacco merchants mainly from the Hapsburg and Ottoman empires built a considerable number of tobacco warehouses thus redefining the center of thecity, its character, as well as its borders. I argue that the architecture of those warehouses deeply configured the identities of tobacco workers and provided the means to tobacco merchants to publicly present themselves and their achievements. At the same timethose early industrial buildings subverted the boundaries between the city and the factory, shedding light on the work culture and every day lives of Greece’s tobacco workers.
SEE: Configuring Identities Through Industrial Architecture and Urban Planning:
Greek Tobacco Warehouses in LateNineteenth and Early Twentieth Century
Maria Rentetzi
The HERZOG tobacco company used a large number of tobacco warehouses along Damianou, Ethnarchi Makariou and Nikis Streets. Of interest is the building at the spot where Damianou, Ethnarchi Makariou and Nikis Streets intersect. This was the company’s first administrative building, which was built in 1891 and has turrets at the corners of its roof, like a castle (the architectural term for this is castellated). The administration moved between 1899 and 1900 to a privately-owned building on Kyprou St, which today houses the Town Hall of Kavala.
SOURCE
Balkan Smoke: Tobacco and the Making of Modern Bulgaria
By Mary C. Neuburger
Villa Herzog, now the Town hall of Kavala.(1890), the former residence of the Hungarian tobacco trader Pierre Herzog. It is a miniature of a Hungarian castle.


Austro-Hungarian Jewish industrialist Pierre Herzog who monopolized trade of Balkan and Turkish tobacco in Central Europe by the end of the nineteenth century and his company’s representative in the city, Adolf Wix von Zsolnay; the tobacco trade and economic relations and technology transfer between Kavala and Vienna; the traditional tobacco processing methods and their mechanization; the work culture and the political upheavals that were resulted from the introduction of new technologies in tobacco warehouses; the transfer of architectural styles and forms from Austria to the wider area of Kavala and neighboring cities.
1902 commercial catalogue published by the M.L. Herzog & Co, the biggest tobacco monopoly in Europe at the time. Founded by Baron Pierre Herzog in 1889, the Austro-Hungarian monopoly was the Sultan’s main supplier of tobacco. Advertising the trade connections to the Ottomans, the company’s catalogue was used to boost tobacco sales worldwide and impressed with the extended network of its tobacco trade. The company’s headquarters were in Budapest and their main site for processing tobacco was Cavalla, a town by the sea in northern Greece that was still under Ottoman rule. On the catalogue’s cover also appeared several other Greek cities―Xanthi, Drama, Pravista, and Thessaloniki―all still part of the Ottoman Empire and locations where the company maintained tobacco warehouses and processing centers. In addition to Greece and the Ottoman Empire, the 1902 catalogue signaled the transnational reach of the tobacco and the Herzog Company as it referenced Haskovo in southern Bulgaria; Smyrna and Samsun in Asia Minor, and New York City where Herzog’s 61 Broadway headquarters loomed as one of the biggest leaf tobacco importers in this North American city.
SEE ALSO: Tobacco Roads: Histories of Technologies and a Transnational EconomyMelinda Plastas1,2, Maria Rentetzi1,2
1Department of Women and Gender Studies, Bates Colleges, Bates, IA, USA2Department of Humanities, Social Sciences and Law, National Technical University of Athens, Athens, Greecehttps://www.scirp.org/html/1-2810152_65487.htm